To conclude my month of blogging coats, here are a few examples from 1959.
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Vanity Fair, January 1959 |
From the cover of
Vanity Fair:
First sign of spring, the yellow coat, cut softly slim, in a delicious bouclé textured wool.
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Beyer Mode, March 1959 |
90330. Sommermäntel brauchen kein grossen Verschilüsse. Wie hübsch wirkt eine durch ein Knopfloch gesteckte Schleife statt der üblichen Knöpfe.
[90330. Summer coats do not need large closures. A bow tied through a buttonhole looks pretty instead of the usual buttons.]
90331. Modische Mäntel bevorzugen jetzl interessante Rücken. Dagegen bleibt die Vorderfront mit Reverskragen, Knöpfen and Taschen klassich schlicht.
[90331. Fashionable coats prefer interesting backs. However the front remains classically simple with lapels, buttons and pockets.]
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Flair, May 1959 |
From the cover of Flair:
Australian contribution to international fashion: the shorn lambswool coat, as snug as it looks and surprisingly light to wear. Now being made in a rainbow range of colours, too. This one is in Racing Scarlet, in a modified trapeze line that stops short of your hemline.
(Available at Grace Brothers, Sydney, for 29 guineas.)
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Marcus Clark's catalogue, Autumn-Winter 1959 |
W1W2: "Ralex" coat. Good quality Furlaine fabric. Stitched panels front and back. Stitching on collar, revers and cuffs. 5 button fastening, 2 pockets. Fully lined. In Grotto-Blue, Cloud-Grey or Foliage-Green.
W2W2. All wool novelty coat. For all ages. Smart collar. Good fitting sleeves, panelled back. Two pockets. Red, Sapphire-Blue, Expresso.
W3W2. A very smart coat! Good quality, all wool Kashmir coating. Yoke stitched fromt and back. Cosy style collar. 2 stitched pockets. 4 button fastening. Beige, Blue-Thistle, Waterlily Mauve.
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Constanze Mode, Herbst-Winter 1959/60 |
A typical example of the smart town coat with informal note. This has a wide ocelot collar, leaving the neck free and entirely covering the shoulders. The belt is narrow at back and gently emphasises the waist. Large patch pockets. Two buttons visible.
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